Saturday, November 30, 2019

Scandinavian Airlines free essay sample

With the anticipation of increased emissions charges and taxes in the European industry, the company could have positive financial implications with the minimized risk of future operational limitations from the combination of international, federal, regional and local legislation. The Director of Aircraft and Engine Analysis could argue against the purchase of the green engines on the basis of cost and uncertainty of raised emissions regulations. The total cost of purchasing the green engines was estimated at kr 12 billion or 1. 14 billion US dollars. The director was also unable to produce figures on the economic payback of the purchase and use of the green engines. To support the argument of uncertainty, The regulatory structure of the industry made it hard to make any clear predictions on the anticipated increase in emissions charges and taxes. b. From the perspective of the SAS Management Team, two arguments for purchasing the green engines include; staying true with their commit ment to environment policy and avoiding the potential emissions cap at certain airports. We will write a custom essay sample on Scandinavian Airlines or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The environmental commitment policy that SAS values as a company will be appreciated by the environmentally conscious culture in Scandinavia. To avoid the potential emissions cap would mean SAS could avoid the financial disaster that included a fleet of planes that possibly could be grounded at the company’s main hub. The SAS Management Team could argue against the purchase of the green engines on the basis that the costs of the technology used would be significant, and unanticipated complications could add even more costs. The green engine has never before been installed on the 737 so technological hurdles had to be overcome with expensive research and development. The unanticipated complications are an inevitable with new technology. The only long-term research available is the actual use of the engine day after day, year after year. Internal and external influences: a. Three internal forces at SAS that could have influenced the firm’s decision to purchase the green engines were their objectives, capabilities, and culture. SAS had a corporate identity as the leader in environmental commitment and the objectives were to maintain the identity with decisions of environmentally positive actions. The capabilities were there to make purchasing the green engines. The resources were available along with the finances as well. The culture of the company was socially influenced by the increasingly environmentally conscious shareholders. The strongest internal force influencing the decision to purchase the green engines was the culture factor because of its influence on shareholders. A deep set of environmental values and beliefs embedded the culture of the shareholders. If SAS shied away from decisions the involved saving the environment, then shareholders could make decisions that would not help the business side of SAS and could eventually lose customers and therefore lose business. b. Three external environmental forces that could have influenced the SAS’s decision included industry, laws, and regulations. The industry was becoming more efficient and SAS was heading in the same direction. The laws in Scandinavia were becoming tighter and more restricting. The regulations of most organizations and airports were cracking down on noise and Co2 out put and SAS had to stay a step ahead to be profitable. Of these external influences, regulations were the most influential because of the potential to be grounded if there was a regulation the SAS did not fall under. If that did happen, SAS could potentially not recover and become bankrupt. Recommendations: a. While some of the long term benefits of environmentally responsible investments for a corporation are social responsibility, shareholders happiness, and regulation following, corporations should make these investments even if they don’t have a short term payoff because short gains now for big gains later always pays off better. The company should think of it as an investment into the possibility of business. The odds suggest that SAS will have a better chance of being profitable down the road rather than a cost cut now. b. The SAS management team should approve of the purchase of the green engines because the long-term gains from using the green engines outweigh the short-term price cuts of a normal jet engine. If you take everything in consideration, from the social culture to the regulation implications that could limit the airline industry, the decision is easy. The culture of the company must stay consistent and should not deceive its share holders of its mission and objectives as an industry leader in environment responsibility. Another benefit to think about is the first to act on this type of technological breakthrough.

Tuesday, November 26, 2019

A Purposeless Pilgrimage The Canterbury Tales Religion Essay Example

A Purposeless Pilgrimage The Canterbury Tales Religion Essay Example A Purposeless Pilgrimage The Canterbury Tales Religion Essay A Purposeless Pilgrimage The Canterbury Tales Religion Essay Essay Topic: The Canterbury Tales The Canterbury Tales is a aggregation of narratives told by the characters within the narrative, written by Geoffrey Chaucer. He wrote with a strong sentiment which he uses to do a blazing statement about the Roman Catholic Church. His sentiment is that people within the church, including the leaders can be populating hypocritical lives. It reflects the thought that the characters in The Canterbury Tales were on a purposeless, spiritually nonmeaningful pilgrims journey. This piece straight addressed the spiritual issues of the common Englishman. Chaucer was non the merely 1 to reflect visible radiation on the spiritual lip service, but he allowed even those of lower standing to go knowing with the publication of The Canterbury Tales. The most interesting development of Chaucer s thought is that history agreed with his desire for alteration in the church. The Canterbury Tales altered the standing of the Roman Catholic Church by showing to the common adult male that corruptness existed within the normally accepted church. A A A A A Chaucer created The Canterbury Tales, a narrative of a pilgrims journey to Canterbury Cathedral in which each of the characters tell narratives with ethical motives. Chaucer began the prologue from the position of the chief character. The unidentified character was on his manner to Canterbury Cathedral when he crossed waies with a big group headed in the same way. He joined their group of 29, and he enlightened the reader to the visual aspects and personalities of his new familiarities ( Eds, 95. 19-27 ) . Chaucer reached a new crowd with The Canterbury Tales in the manner that common people could associate. Each character had a calling, partner and household ; aspirations, motivations, and a repute. Although Chaucer neer completed his initial programs for The Canterbury Tales, he wrote the prologue and 24 narratives ( Eds 90 ) . Prentice Hall Literature claims, irrespective of the technically uncomplete work, the narratives, stand together as a complete work, ( 90 ) . Th is verse form used the pilgrims and their narratives to foster the underlining message. The Canterbury Tales is a literary work which showed the prominence of faith in Chaucer s clip. At this clip in England, Catholicism was the most prevailing signifier of Christianity. Church leaders held great strength ; their influence was singular. Singman and McClean venture so far as to state, Bing a portion of medieval England was in fact the same as being portion of the church. All Christians in Western Europe were capable to the religious authorization of the Pope ( the Catholic Church was the lone officially accepted church in Western Europe, although there were other churches elsewhere, ) ( 26 ) . Another big spiritual influence was the encouragement of monasticism. Kung wrote, In the interfering church ideal position, the mediaeval universe was a universe dominated by priests, nuns, monastics, and their ideal of continency, ( 105 ) . Church, spiritualty, and faith were reasonably big facets of the England before The Canterbury Tales. The Canterbury Tales altered the standing of the Roman Catholic Church. Hidden truths can be found through the characters and the narratives of the pilgrims. Despite the fact that The Canterbury Tales is fiction, these people represented Englishmen of this clip. Chaucer explained to the readers who they are and where they have come from. Many times he described with honest qualities, yet the unfortunate, black qualities outweighed the positive. Anthony of Taize said, Chaucer, no uncertainty, more or less realized that he was better equipped to stand for fallen nature than effectual grace. That would assist explicate why critics use the word idealized to measure up Parson and Ploughman portrayals. Still, he surely knew a thing or two about the possible options to the primrose way. The church could no longer be viewed the same due to the truths of the pilgrims. To observe the troubled motivations of the pilgrims journey, Chaucer used illustrations of people who were expected to understand the significance of the pilgrims journey. The Nun or Prioress was the first noteworthy character. She earned the place of nobility and was a really refined and civilized adult female. This nun, Madam Eglantyne was said to be greatly sentimental and sort, every bit good as have oning a watchband with supplication beads and singing a day-to-day supplication ( 122-166 ) . Interestingly, she made her spiritual act of prayer really public ; frequently times that is non necessary. In Matthew 6:5 it says, And when you pray, do non be like the dissemblers, for they love to pray standing in the temples and on the street corners to be seen by work forces. I tell you the truth, they have received their wages in full, ( The Treasure Study Bible 1324 ) . Verse six and seven continue on to state supplication should frequently be private and personal. Although praying in populace is non incorrect, the motivations of the Nun are questionable. Her supplications seem to hold been merely out of responsibility. Swisher claims, [ The ] Prioress is more worldly than spiritual, ( 39 ) . She gave the visual aspect of being religious, yet she does look to be more concerned with etiquette. Her focal point may hold been on proper life and etiquette, but the Nun surely would non be considered corrupt in comparing to her fellow religious blue bloods, the Monk and the Friar. Sing the Monk, Chaucer wrote, The Rule of St. Benet or St. Maur/ As old and rigorous he tended to disregard ; /He let travel by the things of yesterday/ And took the modern s universe s more broad manner, ( 177-180 ) . This monastic surely did non hold the desire to oppose the ways of the universe. He enjoyed nutrient, and hunting and he spared no disbursal, ( 196 ) . The Monk presented the dissatisfactory world of the devout spiritual figures. In The Canterbury Tales, Chaucer allowed the reader to cognize the Friar is a adult male who should non be trusted. The Friar, named Hubert, was an openly spiritual adult male ( 279 ) . He was a member of all four of the cloistered orders, yet he lived merely the manner he wanted. Chaucer wrote, For he was qualified to hear confessions, / Or so he said, with more than priestly scope ; / He had a particular licence from the Pope, ( 223-224 ) . Chaucer so suggested, Therefore alternatively of crying or supplication / One should give Ag for a hapless Friar s attention, ( 235-236 ) . In lines 245-250, Chaucer described his relationship with barmaids and the nearby tap houses. He wrote, For in so high as a adult male as he/ It was non suiting with the dignity/ Of his place. He embraced worldly populating. Worldly populating wholly contradicts the construct of being a mendicant. He rebuked those with a pinpoint in their oculus, disregarding the board in his ain ( Matthew 7:3, The Tre asure Study Bible 1326 ) . The stanzas continue entering all of the secular activities in which he was involved. He abused his power, took advantage of the vulnerable, and participated in an immoral life style. On the other manus for the first clip in the full prologue, the reader feels grasp for one of the pilgrims. He was a holy-minded adult male, ( 487 ) who Chaucer declared genuinely knew Christ s Gospel and would prophesy it, ( 491 ) . The Parson was persevering, low, and led by following God s Word himself. Chaucer neer claimed such respectable things of the other 28 pilgrims. This ideal pilgrim represented the hope for the Roman Catholic Church when everything else was falling apart. The echt life of the Parson pointed out that non all of the church was in the incorrect. The Parson represented the staying pureness. His lifestyle picks were about straight opposite of the many other pilgrims. One noteworthy difference was his utmost altruism. Chaucer wrote, He much disliked extorting tithe or fee, unlike the Pardoner. He helped fellow Christians in demand ; he was merely a call off ( 495-504 ) .Chaucer was really clear about his standing with the Parson. I think there neer was a better priest. / He sought no gaudery or glorification in his dealing, / No scrupulosity had spiced his feelings./ Christ and His Twelve Apostles and their lore/ He taught, but followed it himself before, ( 534-536 ) . True Christianity was surely non prevailing in the message in The Canterbury Tales. Excluding the Parson, the bulk of its characters contradicted the belief of pureness and godliness. Chaucer saved the most utmost character descriptions for last ; the Pardoner was one of the strongest illustrations of a corrupt spiritual character in The Canterbury Tales. The Pardoner sold relics of no value and of no significance to the fleeceable Christians by his convicting vocals and discourses. John Wellford says, He is hence a fourteenth century English version of the snake-oil salesman. He took advantage of the ignorant and deceived folds into passing in hard-earned money for bogus keepsakes. The most atrocious thought the Pardoner presented is the sarcasm in his discourses and his life style. He lived his life cognizing right and making incorrect. The Pardoner was a adult male who led his life radically in contradiction to his supposed beliefs. The Pardoner s moral in his narrative was Radix malorum est cupiditas. The moral means Greed is the root of all evil, in Latin ( Chaucer line 8, 142 ) . His intent in stating the narrative was to harvest the benefits of those merely desiring forgiveness and a relationship with God. The Pardoner wanted touchable benefits. He stated, But allow me briefly do my purpose field ; I preach for nil but for greed of addition, ( 41-42 ) . Redemption of his hearers was wholly undistinguished to him ( 23 ) . With the Pardoner, Chaucer provided a solid illustration of what the pilgrims should non be. Chaucer s Canterbury Tales changed the manner people viewed the Catholic Church. He chose to compose a fictional narrative, yet his purposes are still clear. One can non misinterpret a section from The Canterbury Tales prologue. Chaucer wrote, For if a priest be foul in whom we trust / No admiration that a common adult male should corrode ; / And dishonor it is to see-let priests take stock-/ A soiled shepherd and a snowy flock. / The true illustration that a priest should give / Is one of cleanness, how the sheep should populate, ( 511-515 ) . Chaucer needed the common adult male to see the lip service and dual criterions of the Roman Catholic Church in the 13th century. Handily, as history shows, reform was shortly on its manner ( Collinson ) . Elton declared, The Church was full of failings and maltreatments ; reforms had been talked about for a really long clip, ( 105 ) . The Canterbury Tales assisted in readying for what is known as The Reformation of the 14th century. The Roman Catholic Church was put on the topographic point, uncovering the demand for reform. The Canterbury Tales emphasized the real properties of the Roman Catholic Church in Chaucer s age. Chaucer s piece of literature created quite the break in the typical position of accepting the church. He used the pilgrims going to Canterbury Cathedral to talk on the religious position of the state and church. There was a really clear message of lip service in the bulk of the pilgrims who claim Christianity in the narrative. Looking from a Biblical position, their philosophy does non hold with their actions. The Canterbury Tales strengthened the desire for pureness within the church.

Friday, November 22, 2019

How to Write a Book in 2019 A Proven Guide From a Best Seller

How to Write a Book in 2019 A Proven Guide From a Best Seller How to Write a Book: Everything You Need to Know in 20 Steps So you want to write a book. Becoming an author can change your life- not to mention give you the ability to impact thousands, even millions, of people. However, writing a book is no cakewalk. As a 21-time New York Times bestselling author, I can tell you: It’s far easier to quit than to finish. When you run out of ideas, when your own message bores you, or when you become overwhelmed by the sheer scope of the task, you’re going to be tempted to give up. But what if you knew exactly: Where to start What each step entails How to overcome fear, procrastination, and writer’s block And how to keep from feeling overwhelmed? You can do this- and more quickly than you might think, because these days you have access to more writing tools than ever. The key is to follow a proven, straightforward, step-by-step plan. My goal here is to offer you that plan. I’ve used the techniques I outline below to write more than 190 books (including the Left Behind series) over the past 40 years. Yes, I realize averaging over four books per year is more than you may have thought humanly possible. But trust me- with a reliable blueprint, you can get unstuck and finish your book. This is my personal approach to how to write a book. I’m confident you’ll find something here that can change the game for you. So, let’s jump in. How to Write a Book From Start to Finish in 20 Steps Establish your writing space. Assemble your writing tools. Break the project into small pieces. Settle on your BIG idea. Construct your outline. Set a firm writing schedule. Establish a sacred deadline. Embrace procrastination (really!). Eliminate distractions. Conduct your research. Start calling yourself a writer. Think reader-first. Find your writing voice. Write a compelling opener. Fill your story with conflict and tension. Turn off your internal editor while writing the first draft. Persevere through The Marathon of the Middle. Write a resounding ending. Become a ferocious self-editor. Find a mentor. Want to download this 20-step guide so you can read it whenever you wish? Click here. Part One: Before You Begin You’ll never regret- in fact, you’ll thank yourself later- for investing the time necessary to prepare for such a monumental task. You wouldn’t set out to cut down a huge grove of trees with just an axe. You’d need a chain saw, perhaps more than one. Something to keep them sharp. Enough fuel to keep them running. You get the picture. Don’t shortcut this foundational part of the process. 1. Establish your writing space. To write your book, you don’t need a sanctuary. In fact, I started my career on my couch facing a typewriter perched on a plank of wood suspended by two kitchen chairs. What were you saying about your setup again?We do what we have to do. And those early days on that sagging couch were among the most productive of my career. Naturally, the nicer and more comfortable and private you can make your writing lair (I call mine my cave), the better. (If you dedicate a room solely to your writing, you can even write off a portion of your home mortgage, taxes, and insurance proportionate to that space.) Real writers can write anywhere. Some write in restaurants and coffee shops. My first fulltime job was at a newspaper where 40 of us clacked away on manual typewriters in one big room- no cubicles, no partitions, conversations hollered over the din, most of my colleagues smoking, teletype machines clattering. Cut your writing teeth in an environment like that, and anywhere else seems glorious. 2. Assemble your writing tools. In the newspaper business there was no time to handwrite our stuff and then type it for the layout guys. So I have always written at a keyboard. Most authors do, though some handwrite their first drafts and then keyboard them onto a computer or pay someone to do that. No publisher I know would even consider a typewritten manuscript, let alone one submitted in handwriting. The publishing industry runs on Microsoft Word, so you’ll need to submit Word document files. Whether you prefer a Mac or a PC, both will produce the kinds of files you need. And if you’re looking for a musclebound electronic organizing system, you can’t do better than Scrivener. It works well on both PCs and Macs, and it nicely interacts with Word files. Just remember, Scrivener has a steep learning curve, so familiarize yourself with it before you start writing. Scrivener users know that taking the time to learn the basics is well worth it. So, what else do you need? If you are one who handwrites your first drafts, don’t scrimp on paper, pencils, or erasers. Don’t shortchange yourself on a computer either. Even if someone else is keyboarding for you, you’ll need a computer for research and for communicating with potential agents, editors, publishers. Get the best computer you can afford, the latest, the one with the most capacity and speed. Try to imagine everything you’re going to need in addition to your desk or table, so you can equip yourself in advance and don’t have to keep interrupting your work to find things like: Staplers Paper clips Rulers Pencil holders Pencil sharpeners Note pads Printing paper Paperweight Tape dispensers Cork or bulletin boards Clocks Bookends Reference works Space heaters Fans Lamps Beverage mugs Napkins Tissues You name it Last, but most crucial, get the best, most ergonomic chair you can afford. If I were to start my career again with that typewriter on a plank, I would not sit on that couch. I’d grab another straight-backed kitchen chair or something similar and be proactive about my posture and maintaining a healthy spine. There’s nothing worse than trying to be creative and immerse yourself in writing while you’re in agony. The chair I work in today cost more than my first car! If you’ve never used some of the items I listed above and can’t imagine needing them, fine. But make a list of everything you know you’ll need so when the actual writing begins, you’re already equipped. As you grow as a writer and actually start making money at it, you can keep upgrading your writing space. Where I work now is light years from where I started. But the point is, I didn’t wait to start writing until I could have a great spot in which to do it. Part Two: How to Start Writing a Book 3. Break the project into small pieces. Writing a book feels like a colossal project, because it is! But your manuscript will be made up of many small parts. An old adage says that the way to eat an elephant is one bite at a time. Try to get your mind off your book as a 400-or-so-page monstrosity. It can’t be written all at once any more than that proverbial elephant could be eaten in a single sitting. See your book for what it is: a manuscript made up of sentences, paragraphs, pages. Those pages will begin to add up, and though after a week you may have barely accumulated double digits, a few months down the road you’ll be into your second hundred pages. So keep it simple. Start by distilling your big book idea from a page or so to a single sentence- your premise. The more specific that one-sentence premise, the more it will keep you focused while you’re writing. But let’s not get ahead of ourselves. Before you can turn your big idea into one sentence, which can then be expanded to an outline, you have to settle on exactly what that big idea is. 4. Settle on your BIG idea. To be book-worthy, your idea has to be killer. You need to write something about which you’re passionate, something that gets you up in the morning, draws you to the keyboard, and keeps you there. It should excite not only you, but also anyone you tell about it. I can’t overstate the importance of this. If you’ve tried and failed to finish your book before- maybe more than once- it could be that the basic premise was flawed. Maybe it was worth a blog post or an article but couldn’t carry an entire book. Think The Hunger Games, Harry Potter, or How to Win Friends and Influence People. The market is crowded, the competition fierce. There’s no more room for run-of-the-mill ideas. Your premise alone should make readers salivate. Go for the big concept book. How do you know you’ve got a winner? Does it have legs? In other words, does it stay in your mind, growing and developing every time you think of it? Run it past loved ones and others you trust. Does it raise eyebrows? Elicit Wows? Or does it result in awkward silences? The right concept simply works, and you’ll know it when you land on it. Most importantly, your idea must capture you in such a way that you’re compelled to write it. Otherwise you’ll lose interest halfway through and never finish. 5. Construct your outline. Want to download this 20-step guide so you can read it whenever you wish? Click here. Starting your writing without a clear vision of where you’re going will usually end in disaster. Even if you’re writing fiction and consider yourself a Pantser* as opposed to an Outliner, you need at least a basic structure. [*Those of us who write by the seat of our pants and, as Stephen King advises, put interesting characters in difficult situations and write to find out what happens] You don’t have to call it an outline if that offends your sensibilities. But fashion some sort of a directional document that provides structure and also serves as a safety net. If you get out on that Pantser highwire and lose your balance, you’ll thank me for advising you to have this in place. Now if you’re writing a nonfiction book, there’s no substitute for an outline. Potential agents or publishers require this in your proposal. They want to know where you’re going, and they want to know that you know. What do you want your reader to learn from your book, and how will you ensure they learn it? Fiction or nonfiction, if you commonly lose interest in your book somewhere in what I call the Marathon of the Middle, you likely didn’t start with enough exciting ideas. That’s why and outline (or a basic framework) is essential. Don’t even start writing until you’re confident your structure will hold up through the end. You may recognize this novel structure illustration. Did you know it holds up- with only slight adaptations- for nonfiction books too? It’s self-explanatory for novelists; they list their plot twists and developments and arrange them in an order that best serves to increase tension. What separates great nonfiction from mediocre? The same structure! Arrange your points and evidence in the same way so you’re setting your reader up for a huge payoff, and then make sure you deliver. If your nonfiction book is a memoir, an autobiography, or a biography, structure it like a novel and you can’t go wrong. But even if it’s a straightforward how-to book, stay as close to this structure as possible, and you’ll see your manuscript come alive. Make promises early, triggering your reader to anticipate fresh ideas, secrets, inside information, something major that will make him thrilled with the finished product. While you may not have as much action or dialogueor character development as your novelist counterpart, your crises and tension can come from showing where people have failed before and how you’re going to ensure your reader will succeed. You can even make the how-to project look impossible until you pay off that setup with your unique solution. Keep your outline to a single page for now. But make sure every major point is represented, so you’ll always know where you’re going. And don’t worry if you’ve forgotten the basics of classic outlining or have never felt comfortable with the concept. Your outline must serve you. If that means Roman numerals and capital and lowercase letters and then Arabic numerals, you can certainly fashion it that way. But if you just want a list of sentences that synopsize your idea, that’s fine too. Simply start with your working title, then your premise, then- for fiction, list all the major scenes that fit into the rough structure above. For nonfiction, try to come up with chapter titles and a sentence or two of what each chapter will cover. Once you have your one-page outline, remember it is a fluid document meant to serve you and your book. Expand it, change it, play with it as you see fit- even during the writing process. 6.Set a firm writing schedule. Ideally, you want to schedule at least six hours per week to write. That may consist of three sessions of two hours each, two sessions of three hours, or six one-hour sessions- whatever works for you. I recommend a regular pattern (same times, same days) that can most easily become a habit. But if that’s impossible, just make sure you carve out at least six hours so you can see real progress. Having trouble finding the time to write a book? News flash- you won’t find the time. You have to make it. I used the phrase carve out above for a reason. That’s what it takes. Something in your calendar will likely have to be sacrificed in the interest of writing time. Make sure it’s not your family- they should always be your top priority. Never sacrifice your family on the altar of your writing career. But beyond that, the truth is that we all find time for what we really want to do. Many writers insist they have no time to write, but they always seem to catch the latest Netflix original series, or go to the next big Hollywood feature. They enjoy concerts, parties, ball games, whatever. How important is it to you to finally write your book? What will you cut from your calendar each week to ensure you give it the time it deserves? A favorite TV show? An hour of sleep per night? (Be careful with this one; rest is crucial to a writer.) A movie? A concert? A party? Successful writers make time to write. When writing becomes a habit, you’ll be on your way. 7. Establish a sacred deadline. Without deadlines, I rarely get anything done. I need that motivation. Admittedly, my deadlines are now established in my contracts from publishers. If you’re writing your first book, you probably don’t have a contract yet. To ensure you finish your book, set your own deadline- then consider it sacred. Tell your spouse or loved one or trusted friend. Ask that they hold you accountable. Now determine- and enter in your calendar- the number of pages you need to produce per writing session to meet your deadline. If it proves unrealistic, change the deadline now. If you have no idea how many pages or words you typically produce per session, you may have to experiment before you finalize those figures. Say you want to finish a 400-page manuscript by this time next year. Divide 400 by 50 weeks (accounting for two off-weeks), and you get eight pages per week. Divide that by your typical number of writing sessions per week and you’ll know how many pages you should finish per session. Now is the time to adjust these numbers,while setting your deadline and determining your pages per session. Maybe you’d rather schedule four off weeks over the next year. Or you know your book will be unusually long. Change the numbers to make it realistic and doable, and then lock it in. Remember, your deadline is sacred. 8. Embrace procrastination (really!). You read that right. Don’t fight it; embrace it. You wouldn’t guess it from my 190+ published books, but I’m the king of procrastinators. Surprised? Don’t be. So many authors are procrastinators that I’ve come to wonder if it’s a prerequisite. The secret is to accept it and, in fact, schedule it. I quit fretting and losing sleep over procrastinating when I realized it was inevitable and predictable, and also that it was productive. Sound like rationalization? Maybe it was at first. But I learned that while I’m putting off the writing, my subconscious is working on my book. It’s a part of the process. When you do start writing again, you’ll enjoy the surprises your subconscious reveals to you. So, knowing procrastination is coming, book it on your calendar. Take it into account when you’re determining your page quotas. If you have to go back in and increase the number of pages you need to produce per session, do that (I still do it all the time). But- and here’s the key- you must never let things get to where that number of pages per day exceeds your capacity. It’s one thing to ratchet up your output from two pages per session to three. But if you let it get out of hand, you’ve violated the sacredness of your deadline. How can I procrastinate and still meet more than 190 deadlines? Because I keep the deadlines sacred. 9. Eliminate distractions to stay focused. Are you as easily distracted as I am? Have you found yourself writing a sentence and then checking your email? Writing another and checking Facebook? Getting caught up in the come-ons for pictures of the 10 Sea Monsters You Wouldn’t Believe Actually Exist? Then you just have to check out that precious video from a talk show where the dad surprises the family by returning from the war. That leads to more and more of the same. Once I’m in, my writing is forgotten, and all of a sudden the day has gotten away from me. The answer to these insidious timewasters? Look into these apps that allow you to block your email, social media, browsers, game apps, whatever you wish during the hours you want to write. Some carry a modest fee, others are free. Freedom app. FocusWriter StayFocusd WriteRoom 10. Conduct your research. Yes, research is a vital part of the process, whether you’re writing fiction or nonfiction. Fiction means more than just making up a story. Your details and logic and technical and historical details must be right for your novel to be believable. And for nonfiction, even if you’re writing about a subject in which you’re an expert- as I’m doing here- you’ll be surprised how ensuring you get all the facts right will polish your finished product. In fact, you’d be surprised at how many times I’ve researched a fact or two while writing this blog post alone. The last thing you want is even a small mistake due to your lack of proper research. Regardless the detail, trust me, you’ll hear from readers about it. Your credibility as an author and an expert hinges on creating trust with your reader. That dissolves in a hurry if you commit an error. My favorite research resources are: World Almanacs: These alone list almost everything you need for accurate prose: facts, data, government information, and more. For my novels, I often use these to come up with ethnically accurate character names. TheMerriam-Webster Thesaurus: The online version is great, because it’s lightning fast. You couldn’t turn the pages of a hard copy as quickly as you can get where you want to onscreen. One caution: Never let it be obvious you’ve consulted a thesaurus. You’re not looking for the exotic word that jumps off the page. You’re looking for that common word that’s on the tip of your tongue. WorldAtlas.com: Here you’ll find nearly limitless information about any continent, country, region, city, town, or village. Names, monetary units, weather patterns, tourism info, and even facts you wouldn’t have thought to search for. I get ideas when I’m digging here, for both my novels and my nonfiction books. 11. Start calling yourself a writer. Want to download this 20-step guide so you can read it whenever you wish? Click here. Your inner voice may tell you, â€Å"You’re no writer and you never will be. What do you think you’re doing, trying to write a book? That may be why you’ve stalled at writing your book in the past. But if you’re working at writing, studying writing, practicing writing, that makes you a writer. Don’t wait till you reach some artificial level of accomplishment before calling yourself a writer. A cop in uniform and on duty is a cop whether he’s actively enforced the law yet or not. A carpenter is a carpenter whether he’s ever built a house. Self-identify as a writer now and you’ll silence that inner critic- who, of course, is really you. Talk back to yourself if you must. It may sound silly, but acknowledging yourself as a writer can give you the confidence to keep going and finish your book. Are you a writer? Say so. Part Three: The Writing Itself 12. Think reader-first. This is so important that that you should write it on a sticky note and affix it to your monitor so you’re reminded of it every time you write. Every decision you make about your manuscript must be run through this filter. Not you-first, not book-first, not editor-, agent-, or publisher-first. Certainly not your inner circle- or critics-first. Reader-first, last, and always. If every decision is based on the idea of reader-first, all those others benefit anyway. When fans tell me they were moved by one of my books, I think back to this adage and am grateful I maintained that posture during the writing. Does a scene bore you? If you’re thinking reader-first, it gets overhauled or deleted. Where to go, what to say, what to write next? Decide based on the reader as your priority. Whatever your gut tells you your reader would prefer, that’s your answer. Whatever will intrigue him, move him, keep him reading, those are your marching orders. So, naturally, you need to know your reader. Rough age? General interests? Loves? Hates? Attention span? When in doubt, look in the mirror. The surest way to please your reader is to please yourself. Write what you would want to read and trust there is a broad readership out there that agrees. 13. Find your writing voice. Discovering your voice is nowhere near as complicated as some make it out to be. You can find yours by answering these quick questions: What’s the coolest thing that ever happened to you? Who’s the most important person you told about it? What did you sound like when you did? That’s your writing voice. It should read the way you sound at your most engaged. That’s all there is to it. If you write fiction and the narrator of your book isn’t you, go through the three-question exercise on the narrator’s behalf- and you’ll quickly master the voice. Here’s a blog I posted that’ll walk you through the process. 14. Write a compelling opener. If you’re stuck because of the pressure of crafting the perfect opening line, you’re not alone. And neither is your angst misplaced. This is not something you should put off and come back to once you’ve started on the rest of the first chapter. Oh, it can still change if the story dictates that. But settling on a good one will really get you off and running. It’s unlikely you’ll write a more important sentence than your first one, whether you’re writing fiction or nonfiction. Make sure you’re thrilled with it and then watch how your confidence- and momentum- soars. Most great first lines fall into one of these categories: Surprising Fiction: â€Å"It was a bright cold day in April, and the clocks were striking thirteen.† - George Orwell, Nineteen Eighty-Four Nonfiction: â€Å"By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.† - Elizabeth Gilbert, The Last American Man Dramatic Statement Fiction: â€Å"They shoot the white girl first.† - Toni Morrison, Paradise Nonfiction: â€Å"I was five years old the first time I ever set foot in prison.† - Jimmy Santiago Baca, A Place to Stand Philosophical Fiction: â€Å"Happy families are all alike; every unhappy family is unhappy in its own way.† - Leo Tolstoy, Anna Karenina Nonfiction: â€Å"It’s not about you.† - Rick Warren, The Purpose Driven Life Poetic Fiction: â€Å"When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. - James Crumley, The Last Good Kiss Nonfiction: â€Å"The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’† - Truman Capote, In Cold Blood Great opening lines from other classics may give you ideas for yours. Heres a list of famous openers. 15. Fill your story with conflict and tension. Your reader craves conflict, and yes, this applies to nonfiction readers as well. In a novel, if everything is going well and everyone is agreeing, your reader will soon lose interest and find something else to do- like watch paint dry. Are two of your characters talking at the dinner table? Have one say something that makes the other storm out. Some deep-seeded rift in their relationship has surfaced. Is it just a misunderstanding that has snowballed into an injustice? Thrust people into conflict with each other. That’ll keep your reader’s attention. Certain nonfiction genres won’t lend themselves to that kind of conflict, of course, but you can still inject tension by setting up your reader for a payoff in later chapters. Check out some of the current bestselling nonfiction works to see how writers accomplish this. Somehow they keep you turning those pages, even in a simple how-to title. Tension is the secret sauce that will propel your reader through to the end. And sometimes that’s as simple as implying something to come. 16. Turn off your internal editor while writing the first draft. Many of us are perfectionists and find it hard to get a first draft written- fiction or nonfiction- without feeling compelled to make every sentence exactly the way we want it. That voice in your head that questions every word, every phrase, every sentence, and makes you worry you’re being redundant or have allowed cliches to creep in- well, that’s just your editor alter ego. He or she needs to be told to shut up. This is not easy. Deep as I am into a long career, I still have to remind myself of this every writing day. I cannot be both creator and editor at the same time. That slows me to a crawl, and my first draft of even one brief chapter could take days. Our job when writing that first draft is to get down the story or the message or the teaching- depending on your genre. It helps me to view that rough draft as a slab of meat I will carve tomorrow. I can’t both produce that hunk and trim it at the same time. A cliche, a redundancy, a hackneyed phrase comes tumbling out of my keyboard, and I start wondering whether I’ve forgotten to engage the reader’s senses or aimed for his emotions. That’s when I have to chastise myself and say, â€Å"No! Don’t worry about that now! First thing tomorrow you get to tear this thing up and put it back together again to your heart’s content!† Imagine yourself wearing different hats for different tasks, if that helps- whatever works to keep you rolling on that rough draft. You don’t need to show it to your worst enemy or even your dearest love. This chore is about creating. Don’t let anything slow you down. Some like to write their entire first draft before attacking the revision. As I say, whatever works. Doing it that way would make me worry I’ve missed something major early that will cause a complete rewrite when I discover it months later. I alternate creating and revising. The first thing I do every morning is a heavy edit and rewrite of whatever I wrote the day before. If that’s ten pages, so be it. I put my perfectionist hat on and grab my paring knife and trim that slab of meat until I’m happy with every word. Then I switch hats, tell Perfectionist Me to take the rest of the day off, and I start producing rough pages again. So, for me, when I’ve finished the entire first draft, it’s actually a second draft because I have already revised and polished it in chunks every day. THEN I go back through the entire manuscript one more time, scouring it for anything I missed or omitted, being sure to engage the reader’s senses and heart, and making sure the whole thing holds together. I do not submit anything I’m not entirely thrilled with. I know there’s still an editing process it will will go through at the publisher, but my goal is to make my manuscript the absolute best I can before they see it. Compartmentalize your writing vs. your revising and you’ll find that frees you to create much more quickly. 17. Persevere through The Marathon of the Middle. Most who fail at writing a book tell me they give up somewhere in what I like to call The Marathon of the Middle. That’s a particularly rough stretch for novelists who have a great concept, a stunning opener, and they can’t wait to get to the dramatic ending. But they bail when they realize they don’t have enough cool stuff to fill the middle. They start padding, trying to add scenes just for the sake of bulk, but they’re soon bored and know readers will be too. This actually happens to nonfiction writers too. The solution there is in the outlining stage, being sure your middle points and chapters are every bit as valuable and magnetic as the first and last. If you strategize the progression of your points or steps in a process- depending on nonfiction genre- you should be able to eliminate the strain in the middle chapters. For novelists, know that every book becomes a challenge a few chapters in. The shine wears off, keeping the pace and tension gets harder, and it’s easy to run out of steam. But that’s not the time to quit. Force yourself back to your structure, come up with a subplot if necessary, but do whatever you need to so your reader stays engaged. Fiction writer or nonfiction author, The Marathon of the Middle is when you must remember why you started this journey in the first place. It isn’t just that you want to be an author. You have something to say. You want to reach the masses with your message. Yes, it’s hard. It still is for me- every time. But don’t panic or do anything rash, like surrendering. Embrace the challenge of the middle as part of the process. If it were easy, anyone could do it. 18. Write a resounding ending. Want to download this 20-step guide so you can read it whenever you wish? Click here. This is just as important for your nonfiction book as your novel. It may not be as dramatic or emotional, but it could be- especially if you’re writing a memoir. But even a how-to or self-help book needs to close with a resounding thud, the way a Broadway theater curtain meets the floor. How do you ensure your ending doesn’t fizzle? Don’t rush it. Give readers the payoff they’ve been promised. They’ve invested in you and your book the whole way. Take the time to make it satisfying. Never settle for close enough just because you’re eager to be finished. Wait till you’re thrilled with every word, and keep revising until you are. If it’s unpredictable, it had better be fair and logical so your reader doesn’t feel cheated. You want him to be delighted with the surprise, not tricked. If you have multiple ideas for how your book should end, go for the heart rather than the head, even in nonfiction. Readers most remember what moves them. Part Four: All Writing Is Rewriting 19. Become a ferocious self-editor. Agents and editors can tell within the first two pages whether your manuscript is worthy of further consideration. That sounds unfair, and maybe it is. But it’s also reality, so we writers need to face it. How can they often decide that quickly on something you’ve devoted months, maybe years, to? Because they can almost immediately envision how much editing would be required to make those first couple of pages publishable. If they decide the investment wouldn’t make economic sense for a 300-400-page manuscript, end of story. Your best bet to keep an agent or editor reading your manuscript? You must become a ferocious self-editor. That means: Omit needless words Choose the simple word over one that requires a dictionary Avoid subtle redundancies, like â€Å"He thought in his mind†¦Ã¢â‚¬  (Where else would someone think?) Avoid hedging verbs like almost frowned, sort of jumped, etc. Generally remove the word that- use it only when absolutely necessary for clarity Give the reader credit and resist the urge to explain, as in, â€Å"She walked through the open door.† (Did we need to be told it was open?) Avoid too much stage direction (what every character is doing with every limb and digit) Avoid excessive adjectives Show, don’t tell And many more For my full list and how to use them, click here. (It’s free.) When do you know you’re finished revising? When you’ve gone from making your writing better to merely making it different. That’s not always easy to determine, but it’s what makes you an author. And Finally, the Quickest Way to Succeed 20. Find a mentor. Get help from someone who’s been where you want to be. Imagine engaging a mentor who can help you sidestep all the amateur pitfalls and shave years of painful trial-and-error off your learning curve. Just make sure it’s someone who really knows the writing and publishing world. Many masquerade as mentors and coaches but have never really succeeded themselves. Look for someone widely-published who knows how to work with agents, editors, and publishers. There are many helpful mentors online. I teach writers through this free site, as well as in my members-only Writers Guild. Want to save this definitive guide to read later?Click here or below to download a handy PDF version: Struggling with knowing how to write a book? Tell me in the comments and feel free to ask questions.

Thursday, November 21, 2019

Role of IT Managers in Organizations Term Paper

Role of IT Managers in Organizations - Term Paper Example In most institutions including Magnum Enterprises, tasks placed under IT departments are usually structured into IT projects. IT managers are, therefore, sometimes known as IT project managers, since they undertake project-driven exercises. Whether the objective is to install, design or reengineer, Information Technology projects are always to a large extent propelled by aggressive deadlines and durations of regular change. To achieve their objectives, IT managers must identify resources and allocate them. Similarly, they must ensure that activities are organized in consonance with business and technical needs. Projects that IT managers work on always come in various forms. They range from feasibility studies, design projects, development projects, to implementation and upgrade projects (Anderson, Gottschalk & Karlsen, 2002).  Mintzberg (1970) introduced the concept of management roles. Later, Jeong Kettinger and Lee pointed out the relevance of six roles from Mintzberg’s ro le topology. These are: leader, monitor, liaison, spokesman, and entrepreneur and resource allocator. The job of any manager consists of many roles and responsibilities at the same time. At some point, a manager may perceive some roles more important than others, depending on urgency and impact (Anderson, Gottschalk).  As a leader, a manager must supervise the ongoing activities under his jurisdiction, hire and train staff members on a regular basis, organize and coordinate all the activities under his/her docket.

Tuesday, November 19, 2019

Analyze iPhone in the context of broader Corporate Design concept Essay - 1

Analyze iPhone in the context of broader Corporate Design concept - Essay Example The principle aim of Augustine was to develop an archbishop in the area of London but this couldn’t happen because at that time London was following paganism. Due to this they choose the capital of the kingdom of Kent to seat the archbishop. The church of the Romans as well as the Celtic had differences in opinion and were quite different, the organization of the Celtic Church was poorly organized and on the other hand the Celtic Church was quite discipline and organized. These two churches even did not agree on the day on which they used to celebrate Easter, thus they used to celebrate the event separately on separate days. Later during the era of 664 both held meetings together at Synod to settle their differences and in this meeting the Roman Church stood victorious (Bracher 107). The church played a major role in the Anglo-Saxon society and was the only not that keep different kingdoms of the Anglo Saxons tied to each other. The monasteries created in the early period became the only available learning areas but later they were terrorized by the Vikings during the period of the 9th Century. The most renowned scholar of the period the Anglo-Saxons was monk Bede who spent his major portion of life at a monastery located in Northumbria (Foot 23). Another famous piece of art and religion of that era was the bible which was illustrated at the monastery of Lindisfarne. During that era, the only type of education available to the common man came from the church. During this period several works written in Latin language were translated into English and schools were being created within churches. A major role was played by those who held highest positions in the church; they took participation in politics and used to manage the church and the property of the church, and even provided advice to kings on various subjects. Monasteries played the part of spreading Christianity and the word of gospel on their

Saturday, November 16, 2019

Supply chain manager Essay Example for Free

Supply chain manager Essay Week 1 (Chapter 1) Logistics and the Supply Chain Course Outline Economic Impacts of Logistics Logistics: What is it The Increased Importance of Logistics Activities in the Logistics Channel As your first step in getting started with this course, please introduce yourself in the Student Profiles. Please share who you are, where you work, what your comfort level with the on-line technology is, and what is your reason for taking this program? Attach a photo if you are able. Week 2 (Chapter 2) Logistics and Information Technology General Types of Information Management Systems Electronic Commerce and Logistics Electronic Data Interchange Enterprise Resource Planning Week 3 (Chapter 3) Logistics Systems Controls Financial and Accounting Controls Worker Productivity Product Recalls Controlling Returned and Salvaged Goods Pilferage and Theft Maintaining Channel and Supply-Chain Integrity Week 4 (Chapter 4) Managerial Issues in Logistics Theft and Pilferage Logistics Social Responsibility Managing Reverse Logistics Lessening the Impact of Terrorism on Logistics Systems Week 5 (Chapter 5) The Supply-Chain Concept Key Attributes of Supply-Chain Management Barriers to Supply-Chain Management Supply Chain Management and Integration Summary Case Study One: Read Case 5-1 â€Å"Johnson Toy Company†. Answer questions 1 to 8 (See assignment instructions posted). Your answers are to be submitted to the submissions icon before the end of the week. Week 6 (Chapter 6) Procurement Purchasing for Resale Procuring Services E-Procurement Quality Programs Purchasing Ethics Week 7 (Chapter 7) Demand Management, Order Management and Customer Service Order Management The Role of Logistics in Establishing Customer Service Levels Measuring and Controlling Customer Service Meeting Customer Service Demands Case Study Two: Read Case 7-1 â€Å"Handy Andy, Inc.†. Answer questions 1 to 8 (See assignment instructions posted). Your answers are to be submitted to the submissions icon before the end of the week. Week 8 (Chapter 8) Inventory Management Inventory Classifications Inventory Related Costs When to Order How Much to Reorder Inventory Flows Special Concerns to Inventory Management EOQ Mathematical Questions (See handout for assigned question). Your answers are to be submitted to the submissions icon before the end of the week. Week 9 (Chapter 9) Your copy of the take home test is located in the Lecture Tab for lecture 9. Distribution Centre, Warehouse and Plant Location Logistics Acronyms (See Acronyms Attachment) General Factors Influencing Facility Locations Finding the Lowest Cost Location Facility Relocation and Facility Closing Take Home Test Due: Your answers are to be submitted to the submissions icon before the end of the week. Week 10 (Chapter 10) Warehousing Management Public, Private and Contract Warehousing Design Considerations in Warehousing Warehousing Operations Week 11 (Chapter 11) Protective Packaging and Materials Handling Product Characteristics Packaging Unit Loads in Materials Handling Materials Handling Week 12 (Chapter 12) Transportation Small-Volume Shippers Large Bulk Shippers Project Cargo Oversized Moves Hazardous Materials Transportation Regulation and Deregulation Week 13 (Chapter 13 and 14) Transportation Management Rate Determination and Negotiation Rate Regulatory Bodies Documentation Loss and Damage Dumurrage and Detention Transportation of Hazardous Materials Consolidating Small Quality Case Study Three: Read Case 14-1 â€Å"Nurnberg Augsburg Maschinenwerke†. Answer questions 1 to 8 (See assignment instructions posted). Your answers are to be submitted to the submissions icon before the end of the week.

Thursday, November 14, 2019

The Maturation of Siddhartha :: Hesse Siddhartha Essays

The Maturation of Siddhartha Siddhartha, by Herman Hesse is the story of a young Indian noble who ventures off in the world to find an understanding of the meaning of life. His journey begins as a young Brahmin who yearned to unwind the complexities of his existence. He ends as an old sage who has found peace within himself and his surroundings. Throughout the book, Hesse allows the reader to trace Siddhartha's maturation process both through his experiences, and people with whom he comes in contact. During his journey, he makes a number of choices, "turns", that put him on a path of his maturation which is marked by self discovery and independence. Siddhartha's maturation is developed by three key events: his meeting with Buddha, his attempted suicide, and the arrival/departure of his son, as they all contribute to his self discovery and individuality. Siddhartha's meeting with Gautama, the Buddha, is the first key experience that contributes to his maturation process. After several years of living the ascetic life of a Samana, Siddhartha decides to seek out Gautama, "The Illustrious One," as a possible source of assistance in his journey to find his inner self. After their meeting, however, Siddhartha becomes more convinced that the Buddha's methods satisfy his logical and tangible needs, but will not bring him any closer to realizing his spiritual and metaphysical needs. The theme of maturity presents itself in Siddhartha's conclusion that if he is to achieve an immaterial balance, it must be on his own. He understands that the Buddha had a remarkable experience, but it is a personal one. Siddhartha sees that his development process relies on his forging his own experiences, and his attainment of self realization can only be made by himself, regardless of what knowledge Gautama may impart to him. The second experience that puts Siddhartha on a path to maturity is his attempted suicide. Preceding this incident, Siddhartha made a complete turnaround and decided to explore his worldly needs and lives the life of a lover, merchant, and gambler. As a student of lust under Kamala and money under Kamaswami, the protagonist becomes self centered, greedy, and no longer one who can "think, fast, and write." His time in the village is

Monday, November 11, 2019

North Renaissance 1400

Patronage in northern Europe is different from the one in Italy. In the early renaissance, main patron in Italy is the Medici family. This big merchant family benefits a lot from the fast development of Italian economy. They spent a large number of funds on art region, promoting the renaissance to expand. However, in the Northern Europe, English and France still fought each other in the Hundred-Year war. Two competing Popes still resided in Rome and Avigon. These conflicts influenced the economic system of Northern Europe so patrons were unable to provide funds as much as the Medici did.Dukes of Burgundy were major patrons of that age. Patrons provided financial supports for artists to create while their requirements also influenced and limited the styles and contents. The art works had prominent features for private use. For instance, Some Dukes preferred furnishings and tapestries so the forms of art were influenced. Small altarpieces became popular as well. Because of the interest s of the patrons, the styles and contents of art work were limited. Oil painting became popular because it could facilitate the exactitude in rendering details.With oil medium, artists created richer color than previously had been ossible, giving their paintings an intense tonality, the illusion of glowing light and enamel-like surfaces. Robert Campin was one of the earliest masters of oil painting. His most famous work is Merode altarpiece, a private commission for household prayer. Oil painting allowed the artist to paint every detail subtly. Jan van Eyck was also an artist who paid much attention on details. He used color to depict the soft texture of hair, the luster of pearls and the flashing of gems.In Italy renaissance, artists focused more on the scientific methods combining color using while artists in Northern Europe tended to depict the appearance. Donor portraits, which meant portraits of the individuals who donated the works, were another form of art pieces in that era. In Jan van Eyck's Ghent Altarpiece, two of the exterior panels depict the donors, Jodocus Wd and his wife. Jan van Eyck was the first Netherlandish painter to achieve international fame. He was the count painter of Philip the Good, Duke of Burgundy.In Italy Renaissance, artists preferred the classical culture and revealed the Greeks and Romes. The sculpture David by Donatello was a good example of their interest. However, in Northern Europe, artists worked more on the religion and bible. For example, Jan van Eyck's Ghent Altarpiece was about the bible. Dirk Bouts was a later Flemish painter. In his â€Å"Last supper†, he did not focus on the biblical narrative itself, but presented Christ in the role of a priest instead.This painting employed single vanishing-point perspective and included four servants in Flemish attire. Hugo van der Goes's â€Å"Portinari Altarpiece† was a rare instance of the awarding of a major commission in Florence to a Flemish painter. Hugo van der Goes was good at the depicting of details and the human character as well. Influenced by the Gothic style, Northern European paintings were more realistic while Italian paintings were more naturalistic. Matthais Grunewald was German Renaissance painter.His works focused on religion, but they also had specific meanings for viewers. In his work â€Å"Isenheim Altarpiece†, Grunewald presented his altarpiece's iconography to be particularly meaningful for viewers at Isenheim hospital. The painting depicted Bosch was the most famous Netherlandish painter. Bosch was the most imaginative and enigmatic painter of his era. Scholars cannot find a universal interpretation of his work â€Å"Garden of Earthly Delights†. This was similar to Leonardo's â€Å"Mona Lisa†. They were both mysterious.But the content should be more similar to Raphael, who did more on humanism. Albrecth Durer was a dominant artist in Holy Roman Empire. His style was more similar to Leonardo. Lik e Leonardo, Durer also did much research on perspectives and the ideal in human proportions. In short, Northern Europe Renaissance occurred after the Italy Renaissance, but it developed its own styles rather than imitate Italian style simply. Due to the regional differences, various styles and cultures made the Renaissance era rich and colorful.

Saturday, November 9, 2019

Policies Against the Jews

Hitler was now in control of Europe with the start of World War II. Hitler’s discrimination against the Jews was now turning into downright control of the Jewish population as well as the rest of Europe. It started with the Nazi invasion of Poland. â€Å"The radical, planned programme of ‘ethnic cleansing’ that followed was authorized by Hitler himself (Kershaw 518). † From there, he and Nazi leaders began to dream up new ideas of how to approach the â€Å"Jewish Question. † The Nazi party had already attempted to pursue the Madagascar plan, which would deport all German Jews to the island of Madagascar, however this failed. Now Hitler had his eyes on the east; the Soviet Union to be exact. â€Å"He was now thinking about something else, not exactly more friendly (Kershaw 594). † Hitler was hinting at the takeover of the Soviet Union which was an inevitable event, and using this as a â€Å"dumping ground† for the Jews (Kershaw 594). † Hitler’s idea of what to do with the Jews was in no way a clear-cut vision. The recent invasion of Poland was an option for Hitler in the later months. For some time, there was uncertainty with what to do with the Jewish people and how they would complete their plan of ‘ethnic cleansing’ (Kershaw 521). In his Reichstag speech in October in 1940, Hitler also mentions the â€Å"ethnic resettlement as preparation for the ‘new order’ of ethnographical relations in former Poland (Kershaw 521). Poland would later be used as a place for Hitler to transport the Jews into concentration camps. Franz Rademacher, the new head of the Foreign Ministry’s ‘Jewish Desk’ had begun to devise options for solutions to the ‘Jewish Problem’ in the summer of 1940. He provided 3 options that included deporting the Jews to Western Europe, removing them from Europe entirely, or sending them all to Palestine. Complications would make it so that none of these options would work. Great Britain would have to be secured in order for the Madagascar plan to work and using Palestine was an unfavorable choice for the Nazi’s (Kershaw 578). In the meantime, Hitler was dealing with the British and Germany’s relations with the Soviet Union. The German’s and Soviet Union were now at a disagreement. This did not sit well with Hitler and he could see their relations with the Soviets slowly deteriorating (Kershaw584). Read also Analyze the Ways in Which British Imperial Policies The increasingly hostile relations between the two countries were giving way for Hitler’s justification of Operation Barbarossa. Hitler’s plan to evacuate and eradicate the Jews started with Operation Barbarossa. This plan was to take over the Soviet Union and Eastern Europe in order to have a place to â€Å"remove the Jews to†. Hitler was unsure of how well Operation Barbarossa was going to be executed. â€Å"Outwardly confident, he was inwardly less certain (Kershaw 589). † However unsure he was, this was going to be the plan to solve the â€Å"Jewish Question. The Nazi policies involving the Jewish people took a lot of time to finally complete. There were a lot of different options that Hitler and Nazi officials had discussed when attempting to find a solution to the â€Å"Jewish Question†, but ultimately, the final decision lie within the fate of Operation Barbarossa. It would be the success in the invasion of the Soviet Union that would determ ine the success of the relocation of the Jews in Europe. War was the only option that Hitler and the Nazi officials deemed reasonable for their final decision. Thus, Operation Barbarossa commenced.

Thursday, November 7, 2019

What Exactly Is Electronic Music essays

What Exactly Is Electronic Music essays Electronic music comes in all types of forms and speeds. Some forms are Jungle, House, Trance and Techno. Trance music is my personal favorite because of the beautiful melodies and build-ups. Jungle is a form of rap or "break" that has been sped up and mixed with all types of sounds. House and Techno are mostly the same; the only difference being that Techno tends to be harder and have more horn and whistle sounds. All of these forms have to be made or created with some sort of electronic device. You cant use a trumpet to create House, you have to use something that involves wires- whether that be a computer, sampler, turntables or a synthesizer. The Italian Futurist Manifesto was the first group to create a form of electronic music. They made noise boxes and machines that brought into existence the sounds of sirens, horns and whistles. This paved the way for the future of Techno music. It provided the tools that DJs need to incorporate sounds on top of the beat. After the invention of the noise boxes, Pierre Schaeffer and Pierre Henry, two composers, introduced sampling, or taking clips of recorded sounds and making a song or new sound, into the world. Shortly after that, other composers started making a sophisticated type of electronic music. Without these people experimenting with noise and the use of sound, we would have never had an idea of dance music today. Keyboards, synthesizers, samplers, turntables and even computers are the backbone of electronic music. A synthesizer is a type of keyboard that imitates the sounds of all types of instruments. When you hook up a synthesizer to a sampler or sequencer, (a machine that makes the drum beats) you can create your own tracks. Usually, DJs like to use analog synthesizers. They prefer these because you can get a more retro sound, like that of the 70s. Other inventions that electronic music incorporate is th ...

Tuesday, November 5, 2019

Successful Selling at Christmas Craft Fairs

Successful Selling at Christmas Craft Fairs Three years ago, I accepted an invitation to sell my novels at a local gym’s mini Christmas craft fair. I wound up selling 21 copies. The experience was so positive that the following Christmas I expanded to high school fairs and sold 51 copies. This year, I sold over 80 books at more venues, all within five miles of home. Needless to say, Christmas craft fairs can be a lucrative way to sell books. To do so successfully, it’s a good idea to first visit local craft fairs at high schools, community centers, and churches. Talk to vendors and show organizers a copy of your book. Ask about registration requirements and ask to be put on a mailing list. Begin with smaller venues that charge a minimal fee. Large community center events draw larger crowds, but their fees can be $350 or more. Most craft fairs have an adjudication process and prefer only handmade goods. For this reason, even self-published books can be a gray area for judges and organizers. Although I not only wrote, but typeset my first mystery series, the professionally designed cover disqualified me at some fairs, but not at others. A third of this year’s fairs accepted my traditionally published series as well. If you’re upfront with organizers, some of them will make an exception, especially if you’ve tried both publishing options with a single series. Competition for table space at established venues can be fierce, so apply long before the deadline. If you’re accepted at several fairs, be mindful of the dates. Most fairs occur on weekends in November and early December, (fees and application forms might be required months earlier). You won’t want to double-book an event, as organizers require you to be there in person. A few days before the fair, you’ll receive rules and helpful information. High schools are especially great venues as students are on hand to help carry your stock and will watch over your table if you need a break. Once you’ve set up your table (make it festive) employ the same strategies you’d use at a book signing: stand as much as possible, smile and engage people, offer to sign copies, and bring water. You’ll also need a float, receipt book, food, (events are five to seven hours long) and bags for customers. The great thing about Christmas craft fairs is that attendees are looking for something to buy and they bring cash. Visa/debit machines are a good idea for large venues, but not worth the bank’s fee at smaller fairs. If you have more than one book in a series, sign and wrap the books in clear cellophane, add a bow and ribbon, and sell them as signed gift sets. Generally, tables are large enough to show promotional materials and an info sheet featuring review excerpts and availability elsewhere. Business cards are a must! I handed out cards to several book club members and teachers looking for guest speakers. Customers also wanted to know if my books were available on Kindle, and preferred a card to a bookmark. Christmas craft fairs are often unpredictable. Books will sell well at some venues but not at others. The following year, the reverse will be true. Keep records to analyze which fairs work best for you. If your books are set locally or have some other local slant, emphasize this, as people love to read about their own area. Above all, have fun.

Saturday, November 2, 2019

Social media - internet forum,email and picture sharing Term Paper

Social media - internet forum,email and picture sharing - Term Paper Example At the present, almost all the business organizations are well aware of the fact that the use of the Internet can be very helpful for better serving customers and reaching into the international markets. When the size and business of a company expands the need for the distribution of these products to their target customers also increases. In this scenario, the Internet marketing is the most excellent way that offers higher potency and access to international markets for the marketing of products. On the other hand, traditional marketing and its techniques have turned out to be less efficient to defeat the need for more targeted and wide marketing. In addition, with the emergence of the Internet, the techniques of marketing not only have changed but also improved amazingly, and at the present business organization are more talented in telling their stories and carrying out their marketing communications out there (Rao, Salam and DosSantos; Summers, Gardiner and Lamb; Watson, Zinkhan and Pitt). This paper presents an overview of some of the important marketing and advertising techniques such as email, internet forums and picture sharing. The basic aim of this research is to show how these marketing techniques can play a significant role in business marketing. Changing Trend in Advertisement and Promotion As discussed in the above section, in the past few years the majority of business organizations have started making use of the Internet to reach worldwide customers and access international markets without spending a lot of money.... In addition, the Web-based nature of social networks allows the business organizations to make use of this modern tool in different forms that can take benefit of the users' personal and social data. In fact, these social networking websites have a great effect on the social life of a lot of people, even more than millions of people that make use of these web sites directly (Golbeck; Conti, Hasani and Crispo). Keeping the numerous benefits of social networks in mind, Sony Corporation took a great advantage of this wonderful technology, which has proven to be successful and effective for its business marketing. According to information given on (Facebook), â€Å"the creation of this Facebook page was aimed at allowing the consumers to engage with the product. Additionally, this advertising campaign attracted more than 173,000 Facebook users that straight away linked to the Sony VAIO Page since September 24, 2010, approximately doubling the objective of catching 90,000 users, also unt il 2011, above 380,000 people had connected to the Page† (Facebook). Figure 1Example of Social Media based Adverting, Image Source: http://ads.ak.facebook.com/ads/FacebookAds/Sony_Vaio_CaseStudy.pdf Online Advertising and Promotion The cost of web based marketing and advertising depends on the experience that a company is looking for. However, the standard cost for per click is about a quarter. In fact, the majority of small size businesses are spending extremely little by performing associated marketing, with other websites to bring traffic to their website. In this scenario, they just pay the host website a proportion of their corporate based on the